Akua Lezli Hope uses sound, words, fiber, glass, metal, and wire to create poems, patterns, stories, music, sculpture, adornments, and peace. She wrote her first speculative poems in the sixth grade and has been in print every year, except one, since 1974.
Her collections and chapbooks include Embouchure: Poems on Jazz and Other Musics (ArtFarm Press, 1995; Writer’s Digest book award winner), Them Gone (The Word Works, 2018), Otherwheres: Speculative Poetry (ArtFarm Press, 2020; a 2021 Elgin Award nominee), and Stratospherics (a micro-chapbook of scifaiku available from the Quarantine Public Library). A Cave Canem fellow, her honors include the NEA, two NYFAs, an SFPA award, and multiple Rhysling and Pushcart Prize nominations. She has won Rattle’s Poets Respond twice and launched Speculative Sundays, an online poetry reading series.
Her work has also been published in numerous literary magazines and national anthologies, including The Magazine of Fantasy and Science Fiction, The 100 Best African American Poems (Sourcebooks MediaFusion, 2010); Dark Matter: A Century of Speculative Fiction from the African Diaspora (Warner Aspect, 2000), Asimov’s Science Fiction, Gyroscope Review, Pensive: A Global Journal of Spirituality & the Arts, Strange Horizons, Star*Line, SciFaikuest, Eye to the Telescope, The New Verse News, Breath & Shadow, The Crafty Poet II: A Portable Workshop (Terrapin Books, 2016), The Cossack Review, Silver Blade Magazine, Stone Canoe, and Three Coyotes. She is the editor of the forthcoming sea-themed issue of Eye To The Telescope, and of NOMBONO: An Anthology of Speculative Poetry by BIPOC Creators, a forthcoming anthology from Sundress Publications.
A third-generation New Yorker and an avid hand papermaker and crochet designer, she exhibits her artwork regularly. She sings songs from her favorite anime in Japanese, practices her soprano saxophone, and prays for the cessation of suffering for all sentience from the ancestral land of the Seneca, the Southern Finger Lakes region of New York State.